Barbie" and "Oppenheimer," were huge hits, surprising everyone by breaking box office records and getting ready for the Oscars.
Greta Gerwig's «Barbie» delivered a surprising feminist take, as Margot Robbie's introspective Barbie teamed up with Ryan Gosling's clueless Ken, weaving a narrative far beyond mere doll play. On the other hand, Christopher Nolan's «Oppenheimer» painted a compelling portrait of J. Robert Oppenheimer, embodied flawlessly by Cillian Murphy, delving into the conflicted mind of the architect behind the atomic age, marking it as a visionary masterpiece.
The cinematic canvas expanded further with a tapestry of gripping stories. Todd Haynes' «May December» evoked emotions through Charles Melton's poignant portrayal of a man still grappling with his past marriage to a complex Julianne Moore. Alexander Payne's «The Holdovers» warmed hearts with Paul Giamatti's portrayal of a Grinch-like teacher, adding depth to a touching narrative during Christmas break.
Jonathan Glazer's «The Zone of Interest» dared to shine light on the mundane amidst the shadow of the Holocaust, echoing present-day echoes of rising antisemitism. Bradley Cooper's «Maestro» soared as a raw depiction of Leonard Bernstein's life, matched by Carey Mulligan's emotional resonance.
Cord Jefferson's «American Fiction» injected fresh perspectives, blending humor and social commentary, while Justine Triet's «Anatomy of a Fall» dissected marital complexities through a gripping courtroom drama.
Celine Song's «Past Lives» and Yorgos Lanthimos' «Poor Things» stood tall, offering nuanced storytelling and powerful performances that lingered long after the screen went dark.
At the summit