Goldman Sachs convened top black bankers beneath some challenging sculptures
Like most banks, Goldman Sachs is trying to diversify away from the white men who comprise most of its employees, particularly at senior levels. In the process, it's proven willing to be unusually frank in confronting difficult issues.
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Last night, Goldman gathered over 500 black financial services professionals at London's Tate Modern for its third annual Black Voices in Finance event. Attendees included, Kene Ejikeme, Goldman's head of Multi Asset Platform Sales and high touch Execution in EMEA and Darren Allaway, who leads the Goldman Sachs Apex family office platform in EMEA.
The group convened at the Tate Modern, at an exhibition by Mire Lee, a Korean artist, who's created sculptures made out of membranous fabric that look like pieces of skin. The Tate says the exhibition explores, «emotion, precarity, and human desire.» Leev reportedly created the sculptures with the intention of, «evoking a range of contradictory emotions including feelings of tenderness and empathy, as well as melancholy, awe and disgust,» and of, considering «our fears, vulnerabilities, hopes and desires as we stand together on the brink of an uncertain future.»
As well as the hanging skin, the exhibition includes an evocation of «regeneration and decay» in the form of a turbine, «pumping dark pink viscous liquid through dangling vein-like silicone tubes, collecting in a large sloping tray underneath.» Goldman's attendees were also given access to an exhibition by Zanele Muholi, a non-binary South African artist whose work explores racism and sexuality.
Goldman aspires for 7% of its VPs in America and for 7% of its VPs in the UK to be black. In 2023, those figures were 4% and 5%
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