

‘The Comeback’ by Annie Zaidi: Art and friendship, tainted by some ugly business
Subscribe to enjoy similar stories. For a novel so steeped in old-school ideas about art and friendship, Annie Zaidi’s The Comeback is quite sharp when it comes to depicting a decidedly contemporary phenomenon—the passive-aggressive Instagram spiral. When you really, really want one particular person to listen these days, you scream your lungs out in front of millions.
I have done it myself and, to paraphrase poet Allen Ginsberg, I have seen the best minds of my generation naked and hysterical in their worship of the online blood-God. Rising Bollywood star John K, the narrator-protagonist of The Comeback, has just found out that his estranged friend Asghar has returned to their shared first love: theatre. Desperate to get into Asghar’s good books and his troupe again, John starts shooting increasingly elaborate Instagram videos of himself performing classic stage monologues—the Brutus speech from Julius Caesar on a hilltop, Portia’s “quality of mercy" speech next to the Statue of Liberty, and so on.
This sequence rings especially true because this is precisely how millennials, a generation raised on virtual “connections", would approach conflict resolution in real time. The Comeback begins with the event that tears John K and Asghar asunder—flush from the success of his first major film, John participates in an ill-advised “tell-all" interview with a journalist. During the interview, he blurts out that in college, he helped Asghar cheat on an economics exam.
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