Richard Serra, known for his massive yet minimalist steel sculptures, died Tuesday at age 85, US media reported.
His strikingly large pieces are installed all over the world, from Paris museums to the Qatari desert, and have sometimes sparked controversy over their imposing nature.
Serra died of pneumonia Tuesday at his home on Long Island, New York, his lawyer John Silberman told The New York Times.
Born in San Francisco in 1939 to a Spanish father and a mother of Russian Jewish origin, Serra studied English literature at the University of California before going on to study visual arts at Yale.
When asked in an early 2000s interview about what memory from his childhood might suggest who he would become, Serra said: «A little kid walking along the beach for a couple of miles, turning around, looking at his footprints and being amazed at what was on his right one direction, when he reversed himself was now on its left.»
He says it «startled him and he never got over it.»
His signature giant scale was present in the off-kilter reddish-brown rectangles installed in Paris's Grand Palais for his 2008 «Monumenta» exhibit, and in the swirling and twirling steel plates enveloping visitors in their curves seen in the Guggenheim Museum in Bilbao, Spain.
Serra, who credited influences from France, Spain and Japan on his artistic style and his evolution from painting to sculpting, moved to New York in the late 1960s, operating a furniture removal business to make ends meet. He even employed the composer Philip Glass as