At the multiplex, “Barbenheimer” ruled
In weather terminology, they call it “rapid intensification” — the process by which a storm strengthens dramatically in a short period.
In pop culture terminology, they call it Taylor Swift.
It’s not like Swift didn’t have big – huge! – years before this. But 2023? This was ridiculous.
From the blockbuster “Eras” tour that conquered the United States before a planet-vanquishing international leg, to the re-release of more albums on the road to reclaiming her catalog, to the record-smashing concert film, to becoming a billionaire — and yeah, that thing with “the guy on the Chiefs” — it all made for a year you could reasonably call “2023 (Taylor’s Version).”
There were, of course, non-Swiftian developments in pop culture. Beyoncé, ever the superstar, had a huge tour herself, and ruled the box office with “Renaissance: A Film by Beyoncé.” Speaking of renaissance, look no further than Barbie — technically age 64 but now living her most fantastic life in plastic, thanks to Greta Gerwig’s record-shattering “Barbie." Through mere coincidence of timing, Gerwig's candy-colored creation paired with “Oppenheimer” to fuel “Barbenheimer,” a phenomenon that singlehandedly revitalized the multiplex.
There were comebacks, as always. The Rolling Stones never left, surely, but produced their best new music in decades. Even the Beatles released a new song. On TV, Samantha even made it back — for a minute — to the “Sex and the City” franchise. A pregnant Rihanna soared (literally) at the Super Bowl, and again showed us that nobody makes a more glamorous, more fashionably late Met Gala entrance.
Our very selective (and this year, very Swift-centric) stroll down pop culture memory lane:
If anyone needs
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